I think I have managed to get some wide tonality from Pan F Plus. The hardest to get from that film is wide tonality. No matter what I have been ending up with high contrast negatives that many times destroyed the mood in the frame. This time, the old trusty 50mm 1.4 SSC has done well.
Canon F-1 and FD 50mm 1.4 SSC, Ilford Pan F Plus expired, D-76